Editor's Intro Where Flight 2 reflected the anxieties of the ongoing horrors, Flight 3 turns inward with pieces that focus on art and artistic processes. In Flight 2, we looked at all the submitted work we had received and identified through-lines that could form a cohesive issue. For

Editor's Intro Flight 2 is landing in times that are, we are constantly reminded, unprecedented. We are surrounded–in the news, on social media–by reminders that things are bad, and unlikely to get better soon. It’s no wonder, then, that when we started reading through the

Editor's Intro Hangovers are strange creatures. They show up when you expect them (after seven Jager Bombs at a bachelor party) and when you don’t (after a sleepless night of crying over a breakup). They are an experience so universal the word has come to serve as